trendumu

Calm control rooms for live television

How trendumu came about

trendumu started in Dorchester in 2012 with a simple aim: to run live production galleries calmly and clearly. Fourteen years on, the work is still built around that aim. We are a small company, and that shapes how we work.

The company began when a handful of broadcast technicians saw how often live events relied on improvised control room setups. Cameras were good, but the gallery behind them was cramped, badly labelled or put together the night before. We set out to bring order to that part of the job.

Early work was mostly concerts and local stage events, switching a few cameras for venue screens. Word spread among organisers and production companies, and requests grew to include streaming, graphics and full crew planning for larger shows.

Over time we added control room design and fit-out, because the same problems kept appearing in rooms we visited. Daniel surveys the space, plans the signal paths and installs the monitor walls, intercom and routing, then walks your staff through the finished room.

Our crew has stayed small on purpose. Helen leads every gallery, Daniel looks after the equipment, Priya plans schedules and budgets, and Tom runs graphics and replay. Everyone knows the show before it starts, which saves time when something changes.

Most of our work is in the south of England, within reach of Dorchester. We prefer to know a venue before show day, so we visit when we can and write down what we learn for the next time we return.

A good gallery is a quiet one. If the room is calm, the show on the screen usually is too.

Helen Marsh, Technical Director
  1. Calm under pressure

    Live shows rarely go exactly to plan. We rehearse, agree fallbacks beforehand and keep intercom talk short, so when a feed drops the crew responds steadily and the audience barely notices.

  2. Clear communication

    You get written quotations, run sheets and plain answers. On the day, calls are brief and precise, and afterwards we tell you what went well and what we would change.

  3. Reliable delivery

    We turn up early, test everything and keep spare cables and kit on hand. Schedules are planned so the broadcast starts when it should and finishes cleanly.

Background

The experience behind each production

Our work draws on years in television and streaming control rooms. The team brings different skills, and each person has a defined part in a show, which keeps the gallery organised from rigging to handover.

Switching and direction

Helen has switched live shows for television and streaming for over fifteen years. She reads a script quickly, follows a director's calls closely and keeps the gallery steady when the pace increases. She leads our crews on every production we take on. Clients often mention that she is easy to work with at rehearsal, because she explains what each camera will do and where the cuts will fall.

Engineering and fit-outs

Daniel designs signal paths and looks after our control room equipment. For a fit-out he begins with a survey of the room, then plans monitors, intercom and routing to suit the people who will use them. He stays involved through installation and testing, and writes a handover note so your own staff can run the room without us.

Planning, graphics and replay

Priya plans schedules, crews and budgets, and is the first person you speak to when you enquire. Tom runs lower thirds, scoreboards and instant replay, having previously worked on outside broadcasts for regional television. Together they make sure graphics are ready, crew arrive on time and the run sheet matches what actually happens.

The plain facts about our work

  • 2012Founded
  • 6Service areas
  • 4Team profiles
Talk to us

Start a conversation about your show

Write to us through the contact page with a few details about your event. Priya will reply with questions or a written quotation, and there is no obligation to go ahead.